As part of Columbus's 2012 bicentennial celebration, the Columbus Museum of Art partnered with sister city Genoa, Italy, to bring from October 21, 2011 to February 12, 2012 a special exhibition, Caravaggio: Behold the Man!
Caravaggio led a tumultuous life, often on the run. His brief life's drama was equalled only by his revolutionary painting style, which used both commoners as models for sacred figures and theatrical, high-contrast chiaroscuro lighting, also known as tenebrism. These signature aspects are well-represented in the exhibit's centerpiece and only Caravaggio work, Behold the Man, or Ecce Homo, depicting the Biblical scene in John 19:5 when Pilate presented Jesus to the crowds shortly before His crucifixion.
The rest of the exhibit does a fine job showing the major impact Caravaggio had on his fellow Baroque painters in succeeding generations throughout Europe. Nonetheless, it is hard to avoid questioning the lack of any additional Caravaggio paintings. In a sense, the singular nature of Ecce Homo in the exhibit reflects the rather limited quantity of works by traditional masters in the museum's permanent collection as a whole (unless one considers Impressionist and Post-Impressionist works traditional). Hence, the exhibit manages to both impress and disappoint. For huge Caravaggio fans like myself, though, it still boils down to a rare opportunity to view and enjoy an Italian masterpiece right in the heart of Ohio.